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We inform the public that the last performance of the opera, scheduled for Wednesday 22 December 2021 at 8 pm, has been moved to Monday 27 December 2021 (same time).
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After the successes of Manon Lescaut, La bohème and Tosca, the time has come for Puccini to conquer the temple of Italian opera as well. The subject of Madama Butterfly - an opera which debuted with an initial failure at the Teatro alla Scala on February 17, 1904 - he had chosen himself after having witnessed a similar drama by David Belasco in London, based on a short story by John Luther Long. The story of the young geisha seduced and abandoned by an American naval officer immediately struck Puccini's imagination. With the librettists Illica and Giacosa, Puccini decided to focus the work on the figure of Cio-Cio-San, creating a real monodrama that follows her psychological evolutions from the initial and disarming naivety to the tragic and heroic final resignation. Madama Butterfly is an individual drama but it is also an emblem of opposed worlds and cultures: on the one hand the docile but at the same time resolute geisha, who will pay the price of her life for the mistake of falling in love with a man who is foreign to her tradition of belonging, and on the other hand the Yankee Pinkerton, the cynical adventurer unable to feel real emotions and devoted solely to the satisfaction of his passions. Although opposed in the drama, East and West are perfectly combined in the music that is very rich in heterogeneous contaminations: oriental sounds skillfully recreated with the adoption of traditional Japanese melodies, pentaphonic and hexagonal scales, very refined timbral combinations but also compositional elements of the Western musical tradition (such as the fugato or the Leitmotiv, for example, or the direct quotation of the American anthem).
New production
Thanks toSergio Mantegazza
Artists
Conductor Francesco Ivan Ciampa
Director Chiara Muti
Sets Leila Fteita
Costumes Alessandro Lai
Lights Vincent Longuemare
Chorus and Orchestra del Maggio Musicale Fiorentino Chorus master Lorenzo Fratini
Cio-Cio-San Svetlana Aksenova
Pinkerton Sergei Skorokhodov
Sharpless Alessandro Luongo
Suzuki Laura Verrecchia
Zio Bonzo Cristian Saitta/Renzo Ran (17, 27)
Goro Paolo Antognetti
Kate Pinkerton Francesca Cucuzza
Il principe Yamadori André Courville
Il commissario Imperiale Francesco Samuele Venuti
L'Ufficiale del registro Alfonso Zambuto
Yakusidé Nicolò Ayroldi
La cugina Natsuko Kita Chiara Chisu (17, 27)
La madre di Cio-Cio-San Elena Cavini Ramona Gabriela Peter (17, 27)
La zia Nadia Pirazzini Thalida Marina Fogarasi (17, 27)
Running Time
Atto I: 52 minuti
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Intervallo: 30 minuti
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Atto II e Atto III: 1 ora e 30 minuti
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Durata complessiva: 2 ore e 52 minuti circa